In December 2013, after a Lettuce show at the Fillmore, Deitch connected with Bay Area organist Wil Blades. They played together for a late night jam at a popular haunt Boom Boom Room in San Francisco, and there was an instant chemistry. Blades had come up in the Chicago blues scene, before relocating to the West Coast. There, he studied and performed with venerable Hammond organ virtuosos Dr. Lonnie Smith and Ronnie Foster, titans of this specific brand of late 60’s/early 70’s B3-bolstered rare groove and jazz funk.
After establishing a rock solid rapport and common goal with Blades, Deitch reached out to his trusty cohorts Ryan Zoidis (saxophones) and Eric Benny Bloom (trumpet), aka The Lettuce Horns. Both players are well versed in the groove-jazz aesthetic with the vocabularies to match; the duo solidified the AD4 lineup and soon the drummer’s long dreamt-of, organ-driven groove quartet was born.
The fledgeling band began by performing exclusively covers, a selection of timeless tunes from Grant Green, Jimmy Smith, Cannonball Adderley and even Michael Jackson, the quartet traversing warm arrangements of familiar classics, songs levitating somewhere between jazz and funk. Firmly ensconced in the rare-groove idiom, AD4 channeled and established a vibe, and then Deitch began to carefully integrate his own masterful compositions to their repertoire; slowly but surely, Egyptian Secrets began to take shape. But not before a superhero would jump into the frey; guitarist and jazz immortal John Scofield, who once tapped a young Deitch to be his co-pilot on his celebrated Uberjam efforts, wanted in on the action. Before long, the prodigious axe-man had contributed to three songs on the LP, and his patented jazz-fusion serenade informs the identity of Egyptian Secrets in subtle, nuanced fashion.
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